Full service grip and lighting in Miami — trucks, generators, HMI, tungsten and LED, with the most experienced crew in the city. We make sure you get what you need for your project.
We offer full service on grip and lighting with the most experienced crew — feature films, documentaries, commercials, music videos, TV and much more.
Gear alone doesn't light a frame. Every package leaves the shop with people who know how it goes up, how fast it comes down, and what to do when the schedule changes at 2 a.m. Tell us the job and we build the truck around it.
Long-form crews and long-run schedules.
Light packages that move as fast as the story.
Brand work, tabletop and campaign days.
What we do more than anything else.
Broadcast, live and everything in between.
Nine categories, one shop. Rent the whole package or the one piece you're missing.
Rental rates on requestLoaded, road-ready packages. Three classes to choose from.
Power on location, wherever the location is.
Towable power for the days the truck can't park where the set is.
Modern, efficient, tunable — soft light that travels light.
Daylight-balanced and high output, for punching through the sun.
Warm, classic cinema light that still does what nothing else does.
Gels, diffusion, tape and every small thing you forgot.
Move the gear fast, safe and in one trip.
Smooth, repeatable, cinematic movement.
Missing something from the list? Ask anyway — between the shop, the stages and the wood shop, it's usually on the property.
Request the full listThe Tail, The Body, The Head and The Main Snake. Pick the bite your production needs — or put all four on the call sheet.
A Mercedes Sprinter van with a powerful lift gate that raises up to 1,300 lbs. Nimble and quick — the one that gets into the tight jobs.
The big snake of the house — strong, solid, heavy duty and loaded with your favourite venom. Built for full-scale productions that need all of it.
A 2 and 3 ton grip & electric truck — super powerful, with a large lift gate. The balance of muscle and manoeuvrability.
A 16 ft Triton — the long box. The one that takes a full grip and electric package in a single load, without splitting the day across two trucks.
Drawn side by side so you can see what you're actually booking. Touch a rig to read it — the bar shows how much truck you're getting.
The Tail, The Head, The Main Snake and The Body. Pick the bite your production needs — or put all four on the call sheet.
Drawn to relative size by class — not to engineering scale
Tell us about the project and we'll build the package around it — gear, trucks and crew on the same call sheet.
Gear on the floor, trucks on the street and light in the air. Filter by department, or click any frame to open it.
Best boys, gaffers, key grips and drivers who have been doing this in Miami for years — and who already know the room you're shooting in.
One shop, one team. The same names answer the phone, load the truck and show up on set.
The gear doesn't live far from the stage — it lives in the same building. Book them together and nothing has to be trucked across Miami.
No rate card to decode. Mark the departments and we'll tell you which rig it rides on — then send it to us as it stands.
Mark anything on the left and we'll size the rig for you.
Send us the dates and the shot list. We'll come back with the package, the truck and the crew.