Custom carpentry and scenic construction — flats, platforms, facades and furniture, drawn and cut in our own shop, then walked next door onto the stage.
Scenic carpentry for film, television and commercial work — one-offs, built to the drawing, on the schedule the shoot actually has.
Hard flats, soft covers and full wall runs, braced and ready to fly.
Decking, steps and levels that hold crew, cast and camera.
Storefronts, doorways and exteriors built to look older than they are.
Curved corners and seamless returns that disappear on camera.
Built to spec when the piece you need doesn't exist to rent.
The one object the whole shot is about, made to survive takes.
Lettering, panels and dressing that sell the location.
The unglamorous stock every set runs on. We make our own.
Drag the handle. Left is the shop drawing, right is the thing standing on the floor a few days later.
Set the wall you're picturing and watch it get built out of standard 4 × 8 flats. Rough numbers to think with — the real quote comes off the drawing.
A standard flat is 4 ft wide by 8 ft tall. Anything above 8 ft stacks a second row; odd sizes get a cut piece, shown in red.
Apple boxes, boards and stands with the snake burned into them, on the days they were actually used. Drag the strip, or use the arrows.
Everything on camera is one side of a thing we built. This is the other side — and why it doesn't wobble when a door slams.
Five steps between a napkin drawing and an empty stage. We handle all of them, including the last one nobody wants to do.
Bring a reference, a sketch or a full plan. We come back with a shop drawing and a build list.
Everything is cut and assembled in our shop, not on your shoot day.
If it's shooting here, it rolls next door. If it isn't, it goes on our truck.
Set up, braced, painted and dressed before your call time.
We take it down and clear the stage. Reusable pieces go back on the rack.
The shop, the trucks and the stages share a building. Your set never sits in traffic, never waits on a vendor, and never costs you a shoot day in transit.
Every build is quoted on the drawing, the materials and the calendar — there's no rate card for a thing that doesn't exist yet.
| Build height | Up to 16 ft under our grid |
| Standard flat | 4 × 8, hard or soft |
| On-stage builds | White Nest · Black Nest |
| Off-site builds | Delivered by our trucks |
| Strike & disposal | Included in the build |
| Storage of reusable stock | On request |
Lead times depend on the drawing and the calendar. Send us both and we'll tell you honestly whether it fits.
Standard scenic stock, plus whatever the shot needs — the point of a shop is that the answer isn't limited to a catalogue.
Have a material in mind that isn't listed? Ask — most of the interesting builds start that way.
Eight things that leave our racks on almost every job. Tap a swatch to read what it's for.
Thin, smooth and cheap — the default skin on a hard flat. Takes paint flat and hides its own grain once it is covered.
Swatches are illustrative — the shop stocks more than this, and sources whatever a build needs.
Woods is one of four companies at 2370 NW 96 Ave. Book the build with the stage and the gear and it's one call, one crew, one invoice.
The White Nest and the Black Nest — where most of what we build ends up standing.
Enter the studios →The trucks that move the build, and the light that makes it read on camera.
See the gear →The shop next to the shop. Choose your venom before you wrap.
Visit the store →A sketch, a reference photo or a full set of plans — any of them is enough to start.